Kendra Stepp-Davis and The Mz.Icar Collective were invited to display The Full Set at this Years BLINK Festival. We are so thrilled.

The Full Set is a 20-foot high inflatable sculpture of two hands with long interchangeable nails.

For BLINK we will be designing a new set of Electric Nails entitled ‘Their Flowers’

Perspectives Mural: Dr. Charles Dillard Center 791 E McMillan St, Cincinnati, OH 45206

We had the pleasure of experiencing Walnut Hills from a ‘people’s first perspective’. It was eye-opening to learn about the history of the area, the legacy of the people, and the hopes for the future that people have. We sat down and chatted with people who are vested in Walnut Hills and learned about their hopes and dreams and aspirations for the future.

Jay Hill schooled us on the deep legacy of P-Funk and Afrofuturism and it’s Cincinnati roots. We loved that this vibrant black entrepreneurial epicenter was the incubator for the creativity that later came to be P-Funk. As a forward-leaning community-focused musician Jay Hill embodies so much of the philosophy around Afrofuturism. We felt that him being depicted with the Bootsy Collins glasses was only fitting. Allen Woods discussed the lessons of perspective he gained from photography and applies to his endeavors as an artist, community leader, and teacher. His hand and camera are displayed prominently in the mural composition. His interview reminded us of how important visual storytelling is and the multiplicity of perspectives that come along with any moment. Gee Horton shared glimpses of his process, stories of his subject matter, and explorations of some of the intimate soft points in modern adolescence through his illustrations and relationships with the subjects. Geoffrey Sutton gave us a walking tour around the neighborhood and vividly painted the picture of what this neighborhood looked like before reckless city planning was applied. He spoke of the businesses, the ecosystem, the autonomy of the people, and the lives that they were building for themselves and future generations.

We quickly came to understand that we have not visited Walnut Hills without visiting Kathryne Gardette and her husband Baba Charles Miller. She spoke with us about her creative practice and threadwork passed on from her ancestors as well as her continued study and incorporation of West African heritage and her work.

We rounded out our interviews with Dr. Dillard of the Dillard Center. He chatted with us about his medical contributions and long relationship with Walnut Hills. The Perspectives Mural lives on the Charles E. Dillard Center Parking lot wall. This building is a hub for entrepreneurs and community gatherings. This connection was fostered through a long deep relationship with the community. We are honored to have Dr. Dillard chat about that relationship with us.

One of the things that all the people have in common is this graceful way of pushing walls, moving boundaries, and widening the worlds in which they live. We tried to depict this in the mirror through composition and placement. People are creating enriching experiences for themselves as well as the people around them and that’s something that we saw throughout the Cincinnati visit.

We combed through hundreds of photographs at the Geier Research Center with the assistance of curator, Arabath Belasko. These spoke to this place of home and possibly a Black Eutopia for many Black people. The irony of MLK being built through this thriving community is not lost on us nor is the future of what these brilliant people will and are making. These roots are deep and they continue to attach and thrive. The people are here and now. Welcome to Walnut Hills.

Our hope for this mural is that it is a continuation of widening the way in which we tell stories and hold history. The entrepreneurial influence that this city had and continues to have on its residents, neighbors, and visitors is depicted through the Bootsy Glasses on Jay Hill. We pay homage to the foundation and influence of Walnut Hills with images of the Manse Building and photos from the archives, including the people in the doorway.

We decided to compile these stories and interviews into a short documentary that is augmented over the mural itself.

The use of geometric shape black with splashes of spectrum color represent a rhythm and flow. It is to depict movement, as nothing stays the same. These changes can be stewarded by people with vested interests in being of service to one another and perhaps that’s something that Walnut Hills is moving towards.

Keeping with the theme of dynamic future perspectives, we have added VR as an additional way to engage with this piece and experience the documentary.

We have edited the interviews we did on the visit and have incorporated sound bites in the AR component and a link to the full documentary.

This is a behind the scene image of the AR voice and facial mapping.

The AR component is generously powered by ARTIVIVE.

THANK YOU

This project was generously produced and sponsored by ArtWorks Cincinnati. It was lovingly and tediously painted by youth artists over the summer of 2022 and will be showcased as part of this year’s FotoFocus Biennial.

We are thrilled to have lent our skills to Doritos Solid Black Initiative. For this project we created a piece called Legacy. It’s featured on a limited edition bag available at select Sam’s Club and on Snacks.com

Our piece Legacy represents a future-leaning collective ethos of blackness. We are channeling call and response. We are channeling ‘throw it back’. We are channeling raising the vibration through a collective consciousness. This piece is a love letter saying, ‘ I see you. We see you. We see us.’ The green on the bottom represents foundational growth. The fluorescent colors on the top represent possibility and vibrancy the faces blend into one another because our existence requires us to do so in a radically, empathetic and collective manner.

As part of the SOLID BLACK initiative, Doritos is donating $125,000 to five non-profit organizations that support the next generation of black changemakers. This includes @4oakcliff a Dallas black lead non-profit located just a few miles from where the solid black bags were made.

“I was young, Black and female. Not everyone can work for and give the appropriate respect to a person in that package” -Ms. Hill

Our members can relate to this wholeheartedly. When we took on the name Mz.Icar (racizm backwards) we were immediately down to the fact that it had a title. The relationship between titles, Black folks, and America is intense. Taking on a title for us is a practice in autonomy and an exercise and boundaries. During Jim crow (and sometimes in the current day), by practice, whites often didn’t call Black people by their names at all. Instead, they used degrading substitutions such as: “boy,” “gal,” “auntie.” Never did they use formal titles such as “Mister,” “Miss,” or “Mrs.” The ability to name oneself, as well as be addressed with the desired title, is a huge exercise in autonomy and taking up space for many Black people.

Over the last few years, we’ve had the privilege of sharing our experience, vision, and stories with community in the form of large murals. We have been literally taking up space. This collection is a mashup of all of these past public art pieces. It’s a bold celebration of color, Blackness, femme energy, and the ancestors who may not have had the autonomy that we practice but taught us how to practice it.

This series has 7 pieces that range from 14″x14″ – 18″x 20″

We are thrilled to partner with @1xrun to bring you a very limited print series. The prints will go live on Wednesday, June 1 at 12:00pm ET.

The original pieces are available through Paradigm Gallery click here to purchase